Posted in Uncategorized

Lines in the land of trash for tumbleweed

There’s a plastic bag flying over Trinity Cemetery.  Just west of the moon, and amid a stretch of cirrus clouds.  Just across from Orion in the western sky it caught my eye on my way home.

Just like a flag, it whips in the wind – a wind that’s now turned cold at long last after a day too unseasonably warm, and with this I’m reminded of winter once more.

Stuck on the tiniest branch of a bare young oak, like a stubborn youngster playing “astronaut,” against all odds, it’s determined to fly among the stars amidst all the naysayers of gravity and realism.  Still it slaps against the vicious air determined to be free.

Like a single semaphore that’s lost all its color there’s no telling what it means, like an unmarked grave without a single flower there’s no telling who it’s for, like every blade of grass, like all of us I guess, the clues are overwhelming when you take the time to really look.  Though I can’t quite understand what it says to me. But like that little astronaut out for “just five more minutes,” I stay and stare passed wrought iron and concrete, passed the dull grey silhouettes along the ground and I pray for the souls long forgotten and those newly departed to let me in on what they know.  Am I to fly? Am I to wait? Am I to run? Am I to go?

I wait for it to drop, to fly off, for an answer or a clue or anything really, I suppose.

And then suddenly the moon grows for me,
Just a sliver a few days ago,
And tonight I saw the moment,
When she became more full,
For that’s what she does,
Consumes the sleeping sun
While he’s off across the world.
So she brightens for me,
And in the once-black sky cirrus clouds glow.
The sky seems filled with feathers now,
Or like ivy laced up high poised to grab and dash any hopes of escape into the ether.

Sure as the moon will grow,
And sure as she will fall,
There lies deep within us all the yearn to heed the call.
To cherish the moments in between those of exalted grandeur,
Those moments of grey
And in between.
The quotidian. The intricate.
The distinct.
Till then this astronaut be grounded,
This soul of mine still tied to this hard earth,
Till then that I do see, let me hang upon this bow.

I thought the bag was long gone, for I wrote these lines a couple moons ago, but last night there was a plastic bag flying over Trinity Cemetery.  On that same branch, just west of the moon, and amid a stretch of heavy clouds.  I couldn’t see Orion last night on my way home but I’m hoping it was still there.

Just like a flag photographed, it seemed to hang limply in spite of the wind that whipped up Amsterdam.  A wind now turned cold at long last after a day too unseasonably warm, and with this I’m reminded of winter once more, perhaps it’s here to stay.

Stuck on the tiniest branch of that bare young oak, I walked by this time without stopping at all.  Let the astronaut play, and let the flag lay, but let me not look to the sky once more and bask in irresponsibility.  As I did pass that place I once stood against the wrought iron fence in gentle wonder, the wind caught up to the bag and now it slaps against the vicious air determined to be free.  Perhaps calling to me, but I’m across 155th before I can make out what it has to say.

Like a single semaphore,
like an unmarked grave,
like every blade of grass,
like all of us along the ground
and those that fly above,
restless, dead, long forgotten,
or those that call to you,
Call to me now,
Take me away
I will go and I will listen,
I wait no more for signs to drop.

For what do restless souls have that other souls do lack?
A constant searching yearning learning
and a beating in the chest
so hard and loud
the trains don’t dare interrupt.
But blind at times and uneasy at others
I’m a stranger here that doesn’t quite belong.
I see the world so differently it pains me sometimes quick
to know the beauty of it all to see it loud and true,
and yet be overwhelmed and powerless
to capture and hold on.

Like a bag upon a tree
Flying high, but stuck
Like a bag caught in a tree
Full of air, but empty.

Posted in Uncategorized

Talking on the phone

Talking on the phone
is like trying to open a door with a frisbee.
you wanna get through to someone,
come across to somebody,
but you just don’t have the right tools.
you can’t even see the person you’re talking to!

talk!  face to face.

 

talking on the phone
is like that first walk around the block
with the doggie in the morning,
everything hits so hard and so fast
boom, you’re there,
new york is you and you are new york.
talk that hard and that fast.

talk! to me.

 

talking on the phone
is like getting mustard instead of ice cream.
it’s just not as good without your face
in front of me.  without you.
talking on the phone
is something we don’t hardly do anymore.

 

The funny thing is,

i talk all day.

 

Posted in Uncategorized

While I was painting in the kitchen

While I Was Painting In The Kitchen

A gentleman’s voice from a floor or two below
rang out like my grandfather’s voice.

And I was a little kid,
laughing at the tricks he liked to do with his cane,
and he was my abuelito.

I stopped and stared out the window,
but I didn’t allow my eyes to adjust from their
old vantage point,
No longer on the drying titanium white,
nor on the beige brick below,
but on something in between,
and nothing at all.

I was of some quiet age,
when my Mother still combed my hair,
parted down the left side,
a clean part that made me look like
a 1940’s movie star.
I loved life,
and I loved everything.

And then my eyes caught the bricks in front of me.
I thought back to those days of youth –
though I am still quite young right now –
Where have they gone?

He loved hot black coffee,
with sugar stirred right in,
by a tiny tinkling teaspoon,
that would drive everybody crazy.

He loved his orange marmalade,
over slightly blackened bread.

And he wore a three piece suit during the dead of summer.

He was my abuelito.
And I needed a smaller brush
if I wanted to paint these trees right.
The voice is gone now.
And I paint with my fingers.

Posted in Uncategorized, underground

Underground

Bundled in fur, we were just leaving the fifth avenue station on an R train wading in the current of the third rail.

Always flirting with danger, needing to be too close like Icarus, wanting to know too much like Adam, I look into these people’s faces and listen to their stories.

Still and stoic with thin black gloves grasping metal poles like a harpoon staff against the wiles, with even thinner black heels to anchor her to ground. I am writing this as she subtly lifts up her left leg. Almost stretching against the unendurable events in this jungle made of stone.  And glass.  And mirth and blood and years of tears and floods.

A city of cleanliness and clandestine.  Of style girth and panache.

And here she was, wrapped in swaddling furs. Her face was what I noticed first. It was a blank canvas of features. Unconnected by muscles human.  Inside no doubt there raged a fire, even one so faint to be — not merely alive but a little bit free — of fear and woes from hunger or bigotry — but that heat beneath the icy exterior was a luminous veneer.

I have lost her now from the maddening crowds a quickening their pace and trace of earthly elements within their shallow chests.  My moon cut from alabaster.  My ocean of spectral sadness.

Approaching 14th street was like riding ledger papers during business meetings.  Or musical staves, lights flickering on happenstantial spaces along a rumbling bass line, your own train, like a monster hungry for music.  You invent a melody and it continues while you stop, beyond the mess of people gathered on the platform lighted anew, washing away old melodies still lingering in your head skipping through colorful swaths of the human palate.  And then a face interrupts you… or a real song does.

And in they come, the troubadours, “the ‘something’ harmonizers,” announcing their ways into your mornings with, “a little gospel tune — we like to do gospel hymns in the morning.”  And he sort of apologizes for his sore throat and they begin.

“This light of mine,
I’m gonna let it shine.”

(And the girl standing in the foyer opens her mouth as if to have a conversation over the breakfast table.  Across from someone she knows, and has known for a long time, she coos quietly but I hear her, and I join her.)

This little light of mine,
I’m gonna let it shine. This little light of mine, I’m gonna let it shine.
Let it shine, let it shine, let it shine!”

Passed Rector Street, people blur behind glass and we reflect the tracks from both in the window ahead of me and this thick pane of glass just inches away.

Posted in Uncategorized

i yawn grandly

and as i open my eyes again
i think of the mgm lion.

i’m tired but I drove myself to this conclusion.

i saw her tonight.
those eyes that hair
those lips that mouth.
I saw her tonight.

and what can i say but
I love the woman
still.

 

though I miss her deeply
and want her near
here

now,

I know that it’s the best thing for us right now.

 

I still without cause or reservation
do enter what I tagged as such:
my

BLUE PERIOD   …

 

 

 

 

Posted in Uncategorized, underground

and on the metal spirit underground once more..

A thunderstorm thrashes heartily against us. Blinded by the darkness save the respite of tile fluorescence, the unknown world outside these tubular metal walls and unseen storm that grumbles underfoot is sated and quieted, it seems, by mosaic symmetricality and strips of white lights and steel columns painted over.

There seems to be life between the storms that pass, between the patches of night and rotten dreams. But if you look close enough, as if awaking from a dream, there’s a world between the string of days. Texture towards the night.

Nary a world oft seen,
That lies right in between
The waking moments
And restless sighs,
The us that does release,
That looking in those eyes
Locks the torrents in surmise,
And quakes the lost within demise,
Of fear and trepidation — flight
Sans mediation,
And love — repudiation.

Just me.
At night.

Posted in travel, underground

 unfinished short story

 

The sweet and heavy smell of trash pervades the roof of my mouth. It was slowly nearing nine in the morning, and I was walking west towards Times Square at 46th street, which was already a bustle and tussle of tourists and suits. The morning’s subtle splendor that befalls the city at dawn had fallen hard by now, and in its place was

I stopped moving a block or so away and noticed a puddle on the ground, nestled on the corner alongside a high concrete curb. A building ripples with the warm breeze, swaying gently on the asphalt, while across the street life-size fuzzy cartoon characters stand idly by, their dirt and greed veiled by goofy painted smiles.

I make my way down to the one train against a flood of those just departed. “Where do you think you’re going?” Says one with his eyes. “You just missed it — what’s your hurry!?” cries one with his shoulder. I slow to barely walking letting gravity take my legs as I make my way down the short staircase. It’s hotter underground, I think and continue against the wind that burns my eyes and ears. Indeed, the dragon had just departed.

I make my way against the stragglers from the front of the train, who are obviously in no hurry, and I sit at the furthest seat on the furthest bench. I lower my head and close my eyes, because of that hot wind I had walked all this way through mostly closed lids. I hear a drummer across the way, thumping and clanking, slow yet melodious rapping against empty trash cans or paint buckets, but the beat remained fixed in a way that seemed odd, so I scanned the opposite platform across the four sets of tracks and saw a woman in grey work clothes wheeling a huge trash barrel on wheels, thumping and clinking against the grooves in the cement, thump-clink-clink and a long drag. Thump clink clink drag… (No drummer at all, just the music of work and the sounds of refuse.)

Still sitting on the bench I hear, “Because of a train derailment at 125th street…” The announcement came buzzing loudly from the ceiling, and I noticed an elderly woman next to me covering her ears, preparing for an auditory onslaught. Then I saw it. The train across the way, the downtown express, came hurtling towards us. The woman’s eyes remained fixed on the metal spirit as it launched into the air, and they shone bright against its flickering lights. Clank clank thrash! The two ton monstrosity ripped towards us making shreds of itself against intermittent metal poles like silver cheese through an industrial grater. Grumbling whirling wheeling and squealing. Flecks of metal, bits of glass are whizzing past but all I could hear was this dark and heavy drone, like a dying whale, like a mechanical sigh. Thrashing overhead, heaving itself like a lost soul expelled from centuries of oppression, that sound rained down as the train moved so slowly through the air. My eyes glued to one car in particular, one set of eyes within the car as the train moved slowly towards us, a young girl moved off her seat, through the car. Car and girl into the air. Her eyes raised and revealed no terror, just a slow and steady recognition with a mouth slightly agape.

She had on a black dress with small white patches that looked like a photo-negative of a Dalmatian’s markings or puffy clouds in a moonless midnight sky. Her dress remained still, her eyes remained fixed, full and open. Her white wire headphones swayed forward gently and she glided like an astronaut through the car towards the window.

Upon impact, a floodgate was released and everything came crashing back to tempo. All the sounds that had been muted rang out loud and hard. A squealing descant of emergency brakes locking, vainly grabbing hold of the bits of track that it could. People screaming, on the platform in the train. And the train itself was a cacophonous symphony of destruction. Strange blasts of cold air from the cars’ air conditioning came whistling passed up and escaped like spirits through the sewer grate above.

It was like an assault. Heat and frigid air, deep drones and delirious descants, screaming and open-mouthed shock. It all came pressing against me.

 

ricocheting through time, like pinballs lost through shards of glass like stars flickering against dark soot-filled tunnel.

she — who was no longer a girl or woman but limbs and an expression of lost wonder.

blood like florescent lights surround vacant space on faces like masks of themselves, frozen in time.

 

Posted in travel, underground

lines from underground. moving.

 

I

ten car metal spirits
box car dragon tails,
breathing fire underground
swaths of smoke and hot air,
a squealing flight begins.

eyes like search lights
gullets cool and clammy,
climbing in
we wish to be moved
in one way or another.

strangers packed and eaten too
bitten by cause of movement,
together digested inside this beast
we stream on down the line.

they talk they swear
undead and unaware
they cling they climb
frozen in place and time.

brown painted bellies
by tracks so rusty
silver ‘neath the guise belies
the black and dusty
soot filled
rancid
putrid cold and old
spruced upon and painted too
they’re all the same
whether old or new.

in and out. all the same.
all within, naught’s to blame,
this city’s dirt lies within us all,
to ashes and dust we all will fall.

II

express trains pass
clanking dragons metal riding
spirits in heat screaming for freedom
perpetual timelessness underground
the wee small hours, the more you wait
in rushing hours, people populate.

there’s so much writing on the wall,
mindless drummers to heed whose call?
brick and tile slick with fluorescents
floors wet with vomit and humanoid essence

men layered thick with multiple tshirts
women reading the times stretched across two seats
one smells likes urine neither you’d like to meet.
dresses in summer satin
bare toes in dirty sneaks
i love new york and flannel patterns
buttoned up and wired too
thin ankles and wide thighs
another one to two seats.

chuck taylors and wing tipped shoes
fashion boots and flip flops ooze.
grown men beg for money
while pretty women deftly hide,
some look away some dig for change,
trying hard not to notice some rearrange
themselves and retreat inside themselves,
or to their phones pads and nooks
shirking guilt with frowning looks.

what a shame, get a job
scream the stares that are so quiet,
I’d like to help but I’m broke myself
mumbles my constant internal riot
the tunnel screams and mutes us all.

men with leering eyes and neatly pressed button downs
smell of cheap light beer and stare through the gowns
of sleeping beauties drunk with night
and others who stare ahead with fright

some are pressed so close to others
taking advantage with sensual smothers
lonely lusters and loose lanky loners
staring dumbfounded with if-only mental boners

everyone’s flush sweaty or tired
the rest seemed distressed
zombie-like, wired.
some push and shove
some smile meekly,
we’re all in this together
public transport underground,
but some see no feather
alike like they’re better.

hats and brands fly like flags.
while entitlement aches like pride,
lost white stripes and bands of red
and the stars you know drag
from storytales so dead.

III

Then beneath once again
You find a seat you find a friend,
Atop the soot, free from the rain,
The underground’s simple charm remains.
The express buzzes by
Clicks on through
Races high and out of view.
Nighttime concerts interrupt
Trombones and electric guitars.
Summertime and the livin’s easy,
Hush metal spirit
Let ‘em play, let him sing,
Stars shine on in
And ring a ding ding.

Out and in. All the same.
All without, but who’s to blame,
this city’s dirt lies within us all,
ashes to ashes we all will fall.

blue painted skies
by dreams so dusty
silver ‘neath the guise belies
the brown and rusty
smoke filled
gusty
insipid hot and fresh
pissed upon and painted too
they’re all the same
whether old or new.

some talk some swear
undead and unaware
all cling and hang until
frosty whistles — exit — shrill.

strangers packed and eaten too
bitten by cause of movement,
together digested inside this beast
we stream on down the line.

eyes like search lights
gullets cool and clammy,
climbing in
we wish to be moved
in one way or another.

ten car metal spirits
box car dragon tails,
breathing fire underground
swaths of smoke and hot air,
a squealing flight

for some it stops for some it begins
moving, moving.

All the time.

 

 

Posted in Uncategorized, underground

The Express Train

A wind that rocks me back on my feet
Comes from the train that passes.

And as it slows I regain my balance
And I wait for the doors to open.

It’s been like that this City thus far,
Rushing and working and waiting.

I race out of the car propelling myself forward by the door’s edge.

I tend to run wherever I’m going.
As if someone is chasing me.

I rise from the Underground
Facing the Empire State Building,
But I don’t notice it today,
Today I keep my head down,
And my feet move quick against the traffic on wet pavement.

A cringe-worthy wind that makes others run for cover
Cuts around these buildings as I cut towards it.

And as it slows I’ve already turned the corner and pedestrian traffic slows.

Sparsely peppered with less shopper/tourists,
Rushing and working and waiting.

Weaving through and sashaying around, propelling myself by the wind’s edge.

I tend to slow when I get where I’m going.

I rose from the Underground
Facing the Empire State Building,
And I hear it underground again,
And I raise my head
My feet have reached the door, my hand has reached its handle.

The Train.

This City.

Rushing and working and waiting.

Quick against the traffic on wet pavement.

Weaving through and sashaying around, propelling myself by the wind’s edge.

I rise from the Underground,
But the Express Train
Rumbles on.

Posted in underground

Lines on the Three from Bergen Street

Surfing blindly,

fluorescents shining
swaying gently
back and forth.

Grinding, crunching,
squeal-squelching,
stopping, starting.
And then some more.

Speeding loudly,
hurling, fleeting,
streaming past
certain stations,
jerking stopped
at certain others.

like the wind
on tons of metal
inside the mouth
of ancient giants
down the gullet
through space and time,

we move on
while we sit quietly.
Nuzzled at my neck and shoulder
or playing on your magic phone.

Passersby and fellow travelers:
some are sitting on their own,
others crash and enter laughing,
some converse to themselves,
reading, writing, playing puzzles,
magazines.
earphone-companions,
words for friends.

Lines of lyrical language
stream on like tracks upon a page,
blackness ahead, white lines in front.

And this once empty car
fills up with people
with every single stop we make.

One holds one.  One stands swaying.
One sits digging
in her floral leather purse.
Some don’t move for many a moment
and some sleep staring right straight ahead.
Closed mouthed and open-eyed.

There’s a lull in time
a lapse in action,
where the rock-steady sway
of the Express takes hold
and the only voices heard on the train
are the train itself.
Exploding, shouting like a stream,
a river.
We shoot on through on our way uptown.

Tracks take hold
we grind and crunch,
again we stop.

But it’s ours.

And they ride on.